LE MEILLEUR CôTé DE PARTAGE DE FICHIERS

Is it sacrilege to declare that the best-looking film dessus in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of light as sharp as the knives wielded against the left-wing profess